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Yael Bartana, Patriarchy is history, 2019

Yael Bartana

Patriarchy is history, 2019

Neon

63 3/4 x 61 in
162 x 155 cm

Edition 2/5

(YB 20/001)

Cosima von Bonin, El Profesor, 2025

Cosima von Bonin

El Profesor, 2025

Velvet, cotton, and fleece

59 7/8 x 82 5/8 in
152.1 x 209.9 cm

(CVB 25/010)

Nathalie Djurberg & Hans Berg, Delights of an undirected mind, 2016

Nathalie Djurberg & Hans Berg

Delights of an undirected mind, 2016

Stop motion animation

6 minutes, 40 seconds

Edition of 3 (AP 1/2)

(NBDH 26/001)

Nathalie Djurberg & Hans Berg, The Brain Has Corridors (The Love of Rituals), 2018

Nathalie Djurberg & Hans Berg

The Brain Has Corridors (The Love of Rituals), 2018

Plasticine, silicone, acrylic paint, fabric, filling,
epoxy, wood, wire
27 1/2 x 26 x 26 in; 69.9 x 66 x 66 cm
(sculpture)
31 1/2 x 27 1/2 x 27 1/2 in; 80 x 70 x 70 cm
(pedestal)
59 x 27 1/2 x 27 1/2 in; 149.9 x 69.9 x 69.9
cm (overall)

(NBDH 26/002)

Simon Denny, Output 1126, 2026

Simon Denny

Output 1126, 2026

Plotted acrylic and ink jet on canvas

47 1/4 x 47 1/4 x 1 5/8 in
120 x 120 x 4 cm

(SD 26/012)

Simon Denny, Output 906, 2026

Simon Denny

Output 906, 2026

Plotted acrylic and ink jet on canvas

47 1/4 x 47 1/4 x 1 5/8 in
120 x 120 x 4 cm

(SD 26/013)

Simon Denny, Output 952, 2026

Simon Denny

Output 952, 2026

Plotted acrylic and ink jet on canvas

47 1/4 x 47 1/4 x 1 5/8 in
120 x 120 x 4 cm

(SD 26/014)

Carroll Dunham, Proof of Concept (III), 2020

Carroll Dunham

Proof of Concept (III), 2020

Acrylic, graphite, colored pencil, wax crayon and watercolor crayon on linen

Unframed: 60 x 48 in, 152.4 x 121.9 cm

Framed: 66 x 54 x 2 1/2 in, 167.6 x 137.2 x 6.4 cm

(CD 26/001)

Keith Edmier, Untitled (Wreath), 1999

Keith Edmier

Untitled (Wreath), 1999

Silicon, dental acrylic, acrylic paint, polyurethane, polypropylene, steel, enamel paint

64 x 40 x 36 in
162.6 x 101.6 x 91.5 cm

(KE 04/003)

Nikita Gale, LOST ARENA 3, 2025

Nikita Gale

LOST ARENA 3, 2025

Numbered, signed, and dated verso

Velvet, river sand, cast iron powder, travertine, aluminum

41 x 31 x 5 in
104.1 x 78.7 x 12.7 cm

(NG 25/008)

Philip Guston, Untitled, 1969

Philip Guston

Untitled, 1969

Signed lower right.

Charcoal on paper

Unframed: 18 x 24 in, 45.7 x 61 cm
Framed: 26 1/8 x 31 7/8 x 1 1/4 in, 66.4 x 81 x 3.2 cm

(PG 26/001)

Keith Haring, Untitled, 1984

Keith Haring

Untitled, 1984

Red and black ink on paper

Unframed: 20 1/8 x 28 3/4 in, 51.1 x 73 cm
Framed: 36 x 28 1/2 x 1 3/4 in, 91.4 x 72.4 x 4.4 cm

(KH 26/003)

Keith Haring, Untitled, 1984

Keith Haring

Untitled, 1984

sumi Ink on paper

Unframed: 39 3/8 x 27 1/2 in, 100 x 69.8 cm
Framed: 45 3/4 x 34 x 2 in, 116.2 x 86.4 x 5.1 cm

(KH 26/002)

Keith Haring, Untitled, 1988

Keith Haring

Untitled, 1988

Black ink on paper

Unframed: 38 1/8 x 50 in; 96.8 x 127 cm
Framed: 43 ¼ x 55 ¼ x 2 ¼ in; 109.2 x 139.7 x 5.1 cm

(KH 26/001)

Martin Kippenberger, Untitled (Zwerg vor Kanone), 1996

Martin Kippenberger

Untitled (Zwerg vor Kanone), 1996

Concrete, wood and steel

dimensions variable

Edition of 7 (#0/7)

(FP 26/003)

Ella Kruglyanskaya, See Saw (Ecstasy in Rust), 2024

Ella Kruglyanskaya

See Saw (Ecstasy in Rust), 2024

Oil on linen

Diptych, overall: 90 x 136 in
228.6 x 345.4 cm

(EK 26/001)

Sean Landers, I Miss a World..., 2006

Sean Landers

I Miss a World..., 2006

Oil on linen

60 x 96 in
152.4 x 243.8 cm

(LS 06/009)

Malcolm Morley, Tilting, 2017

Malcolm Morley

Tilting, 2017

Oil on linen with additional painting attached by aluminum supports

50 x 100 in
127 x 254 cm

(MOR 22/038)

Philippe Parreno and Pierre Huyghe, A Smile Without a Cat, 2005

Philippe Parreno and Pierre Huyghe

A Smile Without a Cat, 2005

Four c-prints

16 x 13 in
40.6 x 33 cm

3, Edition 5/10 (AP 3/0)

(PP 04/011)

Joyce Pensato, Majestic Batman, 2017

Joyce Pensato

Majestic Batman, 2017

Enamel and metallic paint on linen

124 x 100 in
315 x 254 cm

(PEN 17/064A)

Seth Price, Are You Read, 2026

Seth Price

Are You Read, 2026

Ink, enamel, acrylic, and mylar collage on extruded polypropylene, mounted to aluminum

(SPR 26/011)

Seth Price, Puritan Graves, 2024

Seth Price

Puritan Graves, 2024

Plastic, transfer print, UV-print on aluminum
composite

48 x 36 x 1 in
121.9 x 91.4 x 2.5 cm

(SPR 24/046)

Peter Saul, Superwoman, 1995

Peter Saul

Superwoman, 1995

Color pencil, marker and graphite on paper

29 x 23 in
73.7 x 58.4 cm

(FP 26/001)

Pieter Schoolwerth, Silent Pilot, 2026

Pieter Schoolwerth

Silent Pilot, 2026

Signed verso

Oil, acrylic and inkjet on canvas

71 x 87 in
180.3 x 221 cm

(PS 26/002)

Dana Schutz, The Voice, 2026

Dana Schutz

The Voice, 2026

Oil on canvas

60 x 55 in
152.4 x 139.7 cm

(SCH 26/001)

Amy Sillman, Fall: Abstrac/on as X-ray, 2024

Amy Sillman

Fall: Abstrac/on as X-ray, 2024

Sound by Marina Rosenfeld

Animated drawing, single channel, 1:00 min, color, sound

(AS 26/003)

Amy Sillman, Spring: Abstrac/on as ruin, 2024

Amy Sillman

Spring: Abstrac/on as ruin, 2024

Sound by Marina Rosenfeld

Animated drawing, single channel, 1:01 min, color, sound

(AS 26/001)

Amy Sillman, Summer: Abstrac/on as apprehension, 2024

Amy Sillman

Summer: Abstrac/on as apprehension, 2024

Sound by Marina Rosenfeld

Animated drawing, single channel, 1:04 min, color, sound

(AS 26/002)

Amy Sillman, Winter: Abstrac/on as insomnia, 2024

Amy Sillman

Winter: Abstrac/on as insomnia, 2024

Sound by Marina Rosenfeld

Animated drawing, single channel, 1:21 min, color, sound

(AS 26/004)

Harold Stevenson, Black Fates, 1973

Harold Stevenson

Black Fates, 1973

Oil on canvas

70 x 49 1/2 in
177.8 x 125.7 cm

(HS 26/002)

Nicola Tyson, Handholding, 2025

Nicola Tyson

Handholding, 2025

Signed verso

Acrylic on canvas

77 1/4 x 66 in
196.2 x 167.6 cm

(NT 26/011)

Raphaela Vogel, Boudicca’s night table, 2026

Raphaela Vogel

Boudicca’s night table, 2026

Oil on leather with metal rods

105 1/2 x 81 x 9 in
268 x 205.7 x 22.9 cm

(RV 26/003)

Press Release

Nearly a decade ago, Petzel presented We Need to Talk: Artists and the Public Respond to the Present Conditions in America, an exhibition shaped by political rupture and the uneasy sense that what followed might still be reversible. Opening in January 2017, it captured a moment of collective alarm – when a shifting national and global order still felt reversible.

LOUCHE: Sleeping Through the Apocalypse emerges from the long shadow of that moment. What once registered as fear has hardened into lived reality. The years since – marked by political upheaval, ecological crisis, pandemic, and a violent challenge to democratic continuity – have not only confirmed earlier anxieties but exceeded them. If the earlier exhibition was driven by urgency, this one settles into exhausted lucidity.

This exhibition is not about resistance, nor critique in any familiar sense, but staged indifference: a farce in which cultural production continues unabated as the conditions that sustain it erode. The exhibition performs a deliberate slackening of critical posture — a surrender to spectacle, excess, and dissonance that mirrors a broader social anesthesia. We feared too for our little ivory towers, built over a decade of global expansion in a relatively stable art world. How foolish we were.

To be “louche” is to drift in moral ambiguity, at the edge of clarity and propriety. Humor curdles into menace and seduction gives way to fatigue. The exhibition does not try to awaken its viewers, but implicates them. We recognize the stakes, yet persist in forms of attention increasingly inadequate to them.

Louche offers no exit. It lingers around the limits of imagination—what we failed to foresee, what we have come to accept, and what it might mean to remain awake, if waking is still possible.

 

Artists include:

Yael Bartana 

Cosima von Bonin 

Simon Denny

Nathalie Djurberg & Hans Berg 

Carroll Dunham 

Keith Edmier 

Nikita Gale 

Philip Guston 

Keith Haring 

Martin Kippenberger 

Ella Kruglyanskaya 

Sean Landers 

Malcolm Morley 

Philippe Parreno & Pierre Huyghe 

Joyce Pensato 

Seth Price 

Peter Saul 

Pieter Schoolwerth 

Amy Sillman 

Dana Schutz 

Harold Stevenson 

Nicola Tyson 

Raphaela Vogel